Post by account_disabled on Dec 24, 2023 4:09:35 GMT
For the 25th anniversary of the publication of Stephen King's novel It , Cemetery Dance Publications presents a special, deluxe, limited edition. The cover was entrusted to Glen Orbik, while the internal illustrations, in color and black and white, were created by Alan M. Clark and Erin Wells. Features of the edition New afterword by Stephen King. Large format: approximately 18×25 cm. Thirty internal illustrations in color and black and white. Color illustrations on high quality glossy paper. High-quality embossed endpapers and fine binding. Exclusive drawings for the signed edition. Edition for collectors. Three editions An edition of 2750 copies priced at $125. A limited edition signed by Stephen King and the illustrators in 750 copies, bound in leather, priced at $450.
A limited edition signed by Stephen King and the illustrators in 52 copies and bound in two precious materials, with gilt page edges and with a luxury personalized box, at the price of 2000 dWhat would the Special Data novel The Betrothed have communicated to us at that time? Little or nothing. And Heart ? And Misunderstood ? And A Wild Season ? Sometimes we can guess the theme, but other times we understand absolutely nothing because the title is too generic, see The Road , or even poetic, The Paper Moon . Titles like these work. They have a meaning and this meaning will appear to us as we read. The reader doesn't pay much attention to the title, because he will read a technical sheet of the book, because he knows the author and would even read his shopping list, because he will find that book on a shelf, on a website.
In creative writing, even titles are creative. And rightly so. They must communicate sensations, rather than information. And when they reveal the theme openly, see The last day of a man condemned to death , they are always titles that say everything and nothing. You have to read the story to make sense of the title. Writing for the web When writing for the web, you must abandon fantasy and embrace information. We are no longer inventing a world, we are writing for a world that already exists and which follows different rules. It is informative writing , because it is based entirely on the information, personal or professional knowledge that the author of the text has. In order not to lose the reader's attention, you must immediately communicate the topic of your text .
A limited edition signed by Stephen King and the illustrators in 52 copies and bound in two precious materials, with gilt page edges and with a luxury personalized box, at the price of 2000 dWhat would the Special Data novel The Betrothed have communicated to us at that time? Little or nothing. And Heart ? And Misunderstood ? And A Wild Season ? Sometimes we can guess the theme, but other times we understand absolutely nothing because the title is too generic, see The Road , or even poetic, The Paper Moon . Titles like these work. They have a meaning and this meaning will appear to us as we read. The reader doesn't pay much attention to the title, because he will read a technical sheet of the book, because he knows the author and would even read his shopping list, because he will find that book on a shelf, on a website.
In creative writing, even titles are creative. And rightly so. They must communicate sensations, rather than information. And when they reveal the theme openly, see The last day of a man condemned to death , they are always titles that say everything and nothing. You have to read the story to make sense of the title. Writing for the web When writing for the web, you must abandon fantasy and embrace information. We are no longer inventing a world, we are writing for a world that already exists and which follows different rules. It is informative writing , because it is based entirely on the information, personal or professional knowledge that the author of the text has. In order not to lose the reader's attention, you must immediately communicate the topic of your text .